story – Page 2

Leaving our stories

October 9, 2014 by Billy Coffey Leave a Comment

I try to schedule field trips into my writing life as often as possible. Sitting at a desk and staring at a sheet of paper can dull the senses. It contracts you. The Out There gets lost in all of the In Here. It’s nice to get out every once in a while and wander about the world.

That’s how I found Archie’s store. Because when you are driving down a lonely country road and you happen across a dilapidated building masquerading as an antiques store and the sign on the marquee says Dead People’s Junk, you have to stop and look. You just do. Very often the places that seem too good to be true are true after all.

The creaky wooden door finally gave way with a hard push, ringing the bell that sat suspended over the archway. The old man behind the counter—“Name’s Archie,” he said, and then added, “You break it, you buy it, even if t’ain’t worth nuthin’”—offered me both a Coke and the general layout of the building. “Furniture’s in the back. Art—and I use that term loosely—is to the right. Guns are over by the far wall.”

I sipped and walked, letting my mind wander. Antiques are such because of their age and their scars. They have endured through the years, survived countless moves and deaths and threats of the landfill. And it is because they have endured that they are all rich in story. Antiques are a form of living history.

That’s what I was after in the land of Dead People’s Junk. The stories.

Like the kitchen table that sat stately and dignified in the corner of the back room. Solid oak, with the worn shine of countless years of meals and gatherings. The price tag made me wince and whistle a long exhale. 1927 was written on the tag beneath the dollar amount, as if to justify the value. I took a step back. This was not something I was interested in breaking.

But still, a part of me felt the price would be more than satisfactory if the story of the table was included along with the chairs and the center leaf. Two years after it was built, the stock market crashed. Then Hitler rose. The Japanese attacked. The bomb was dropped. Kennedy was shot. Interspersed between those were times both hard and soft, the ebbs and flows of the great tide that was life. Who had sat at that table through the years? What family had broken bread there? What joys did they share, and what sorrows? To me, those answers—those possibilities—were worth more than the quality of the construction or the grain of the wood.

I exercised my mind in that manner for about an hour, moving through the crowded aisles of castoff belongings. There was a rocking horse I imagined once belonged to a small boy who grew up to be deathly afraid of horses after taking a tumble from that wooden substitution on one long ago Sunday afternoon. A desk where a young lady once sat to write a Dear John letter to her boyfriend at war. An opulent set of china—Never Used, said the tag—that was an expensive wedding gift to a couple who chose a simple life over the extravagant lives of their parents.

I roamed and touched nearly every surface of every object, listening. I thought about the sign out by the road and wondered if that had been Archie’s idea. I wanted to ask him. But by the time I made it back around, he was asleep in his chair. His half-finished bottle of Coke sat by the cash register—an antique in itself. Orange crumbs from the pack of crackers he’d snacked on littered the front of his shirt.

I managed to leave without waking him and pointed my truck toward home. I was satisfied. In my opinion, no better field trip could be had.

But I thought about that sign again as I passed it and decided it was all wrong. That was not Dead People’s Junk. Archie’s store may have been filled with remnants of the past, but they also spoke to our shared future.

To a time when perhaps our own dining room tables will be stuck in the corner, and when people will come and touch them and wonder. That brings me a great deal of comfort. Because we leave more than our belongings to this world when we pass on to the next.

We leave our stories, too.

Showing us what we can’t see

September 15, 2014 by Billy Coffey Leave a Comment

I had no idea how far we’d walked—when you’re tromping through the woods with two kids, time drags on until it becomes irrelevant—but it was far enough that we were ready to turn around and go home. After all, it wasn’t as if we had a map to go by. All we had were stories.

“Maybe we should just pray,” my son said. My son, who announced last week that he wanted to be a preacher when he grew up. To him, praying is the answer to everything.

“I think God would rather we walk than pray,” I told him.

“Why, did you ask him?”

I didn’t answer. We pushed on through the brambles and found the river—at least that part of the story had been proven right—then decided to sit and watch the water. My daughter tried to spot fish, my wife tried to spot spiders, and I tried to figure out where we should look next.

My son, the future Preacher Man, looked into the blue sky peeking through green trees and said, “Our Father, whose art ain’t in heaven, Halloween be your name.”

“This way,” I told them. “I think it’s over here.”

Which wasn’t true at all. I had no idea where it was or even if it was, but you know about men and directions. Besides, it wasn’t like we could pull over at the next gas station.

My daughter said, “Maybe we should just go home before we get eaten,” which brought more prayers from the little boy in the back.

I reminded them of the value of a story, of how the whole world was made of them and sometimes they’re true and sometimes they’re not, and how sometimes the ones that are not have more truth. And when you come across a story about an old home forgotten somewhere in the mountains, you have to go look. You just have to.

So we trudged on—me, my wife, my daughter, and the Preacher, who was now calling down the Spirit to keep Bigfoot away.

Truth be known, I didn’t think we’d find a thing. Though the mountains here are littered with the remnants of pioneer homesteads, their locations are masked by either wilderness or the foggy memories of the old folk. But the directions I’d received turned out to be pretty darn close. It wasn’t long until the woods opened up a bit into an ancient bit of clearing, and wouldn’t you know it, there was something up ahead.

Of course that something was hidden by a couple hundred years of changing seasons. Trees and bushes and plants had reclaimed the area that was once taken from them. All that remained to be seen was a bit of foundation. The rest was enclosed by an impenetrable wall of overgrowth.

“Let’s try to break through,” my daughter said, to which she received a chorus of no ways.

“I don’t want to go in there,” my wife said.

“I’m too tired to try to go in there,” I said.

“We should really pray first before we go in there,” my son said.

Simply going back was no longer an option. We’d found it now, and to leave without at least a look around simply wouldn’t do. So we looked. All of us. We poked and prodded for weak spots, we tried to peek into what had likely gone unseen for centuries. We stood on tiptoes and jumped and, once, even tried to make a human pyramid. But it was no use. The mountains would not give up their secrets that day.

“Hey,” my son said, “I see something.”

He was knee-bent, face almost in the dirt, peering through the undersides of thorns and thickets.

“Hey, wow.”

The rest of us followed. Knees bent, faces in the dirt, peering through the thorns, we found holes just big enough to peer through. What lay on the other side was nothing more than the remnants of a stone foundation, but to us it was Machu Picchu and Stonehenge and Easter Island rolled into one.

It was then that I realized what my son had done. The little Preacher Man, too little to jump too high or tiptoe too up, had decided to use his smallness to his advantage.

He’d gone to his knees.

“You can see more if you get on your knees, Daddy,” he’d often said. “If you stand up, you just see what you can. But if you bow down, God will show you what you can’t.”

Those words, profound as they were, had always gotten him a rub on the head or a squeeze on the shoulder. Nothing more. But then I knew just how right he was, and I wondered just how much I’d missed in my life because I’d been standing instead of kneeling.

Skipping to the ending

June 26, 2014 by Billy Coffey 5 Comments

stacks of books My daughter is a reader. Reads everything. Novels, poetry, history, cereal boxes. Doesn’t matter what it is. Most people pack clothes before they go on vacation. She packs books.

I encourage this. In an age when no one really reads anymore, it’s good to have at least someone out there whom I know will read my books, if not now then someday.

She dog-ears pages, just like me. Underlines those passages that particularly grip her and writes notes in the margins, just like me. A book is like a shirt, she says. You gotta break it in.

One thing drives me crazy, though. When it comes to a story, my daughter must always begin with the end. She reads the last page first, reads it carefully, looking as though she’s actually chewing the words for their taste. Names and characters don’t matter here, nor the setting. It’s the tone she’s after. The feeling. She’ll read books that lift her up and books that break her heart (an equal opportunity reader, my little girl), but she has to take a peek at the end first. Good or bad, she has to know what she’s getting into.

I tell her I hate this on principal, both as a novelist and as a human being. I say she’s robbing herself of something wonderful and magical. She’s denying herself a journey of the mind and heart and the chance to grow as a human being.

What’s the fun, knowing the end?

She shakes her head at me, says I don’t understand. She’s right. I don’t.

I was in her bedroom last night tucking her in. (“Tucking her in” = “Would you put that book down and GET SOME SLEEP?!?”) I heard her before I saw her. The bed is in the corner of the room, nestled into two corners, better lighting for her to read. A sniffle. Not the dry sort of allergy sniffle, the boy-howdy-the-pollen-is-awful-this-year sniffle snort. No, this one was wet. Snotty.

Sad book.

She was crying. She’s a cryer, my girl. Any commercial with a sappy score to it will do her in. To this day, I hate Sarah McLachlan just because those SPCA commercials she does sends my daughter over the edge. Sitting up in bed, hunched over a paperback. Eyes wide and glassy, a crumpled tissue in her hand.

“Calvin and Hobbes?” I tried. (Humor, my spiritual gift!)

“Stop it.”

“Bad one, huh?”

She nodded. “She just died. She DIED. It’s not fair.”

I didn’t know who “she” was. I supposed my daughter wanted me to ask. I didn’t. Don’t judge me.

“Maybe you should try to read some lighter fare,” I said. “You know, least at bedtime.”

“No, I like this one. This one’s good. And I know it’ll be okay.”

“How do you know that?”

“Because I peeked at the end.”

Ah.

I let her read a while longer that night. No sense in having to call it a day at a sad part.

But there are a lot of those, aren’t there? Sad parts, I mean. Vast sections of our lives that look and smell and seem purely tragic. Hard times that feel like we’re under God’s boot heel. Times of grief and anguish, when everything around you is shouting to just give up, it doesn’t matter anymore.

Don’t. That’s what I’m here to tell you. Don’t give up, because it does matter and I know it does, because I’ve peeked at the end.

I’ve peeked and seen a new heaven and a new earth, where death is no more and eternity has taken its place.

I’ve peeked and seen a final wiping away of our tears by a hand too large for this universe that brushes our cheek like a feather.

I’ve peeked and seen the end of every struggle.

You, me, we know how it all ends. And maybe that more than anything else is what gets us through the sad parts.

A writer’s learning curve

June 19, 2014 by Billy Coffey 1 Comment

Though the homes in my neighborhood are equipped with modern necessities such as central air and electricity, it’s easy at times to think we sit on the border of unspoiled territory. Because for the most part, we do.

Across the road from my house sits about 30,000 acres of national forest, which is home to all manner of creepy crawlies. The boundary between civilized and not is clearly marked by a nearly straight line of neatly-kept backyards and a foreboding tree line of towering oaks.

Of course, neither man nor beast keeps to his own side. We all mingle with each other from time to time. Miles of trails leading into the mountains provide all a guy like me needs for feed his inner redneck. And as if to even things out a bit, everything from bear to deer to snakes to coyotes have been seen wandering our streets.

Most of us pay little mind to such intrusions, believing that the animals have just as much right to snoop around our homes as we have theirs. But there is one person in particular who is uneasy about the whole thing.

I speak of the kid down the road. Sixteenish and free for the summer. I remember the summer I turned sixteen, three glorious months of getting into more trouble than I’d ever gotten into in my life. Ask his father, and he’ll say he almost wishes his son would get into that same sort of trouble. Not a lot, mind you. But at least a little. After all, he’s sixteen. Trouble’s supposed to find you at that age.

But it hasn’t found him, mostly because he refuses to go outside. His days are spent staring out his bedroom window and writing about what he sees. He wants to write a book, he told his father. He’s serious about it. And while his father is supportive, he also knows it’s an excuse. His son doesn’t like his new home. Doesn’t like the small town or the big woods. He wants to go home to the city.

The family moved here from the city last year as the result of a job transfer. All this wildness suits mom and dad just fine, but not the boy. He woke up one morning in April to find a bear in the backyard. Found a snake on the deck a few weeks later. Though he refuses to admit it, they think it was all just a little too Wild Kingdom for him. So when school let out and he was free to do what he wanted, he retreated to the safety of the indoors.

He says he’s spending his time wisely. He’s writing. Working. There isn’t any time for much of anything else.

I heard about all of this the other night while out for an evening walk. His father was putting up a new mailbox, I stopped to say hello, and things just sort of went from there.

“He really is a good storyteller,” he told me. “Just wish he wouldn’t stay inside all the time. That can’t be healthy, can it?”

No.

Not for a kid. And especially not for a writer.

There are a lot of would-be authors out there who think it’s fine to stare out of their window and write about the world. They take their journey within themselves because they’re unwilling or afraid to go out.

I can’t blame them for that. I was once the kid down the road, too.

Not afraid of bears and snakes, but afraid to go out the door. To face life in all its glory and pain. Give me a nice desk and some paper instead. Let life leave me alone so I could write about it.

Sounds a little strange, doesn’t it? But that’s what I thought. And that’s what a lot of authors think.

There is a learning curve to writing, of course. First come the simple words and simpler thoughts, which through countless hours of practice becomes better words and greater thoughts. No one denies this.

But there is another learning curve to writing that often goes overlooked, and that is the experience of living. Of plunging headlong into life and daring to swim in both the clear and the murky waters, and then using pen and paper as a towel to dry yourself off.

You have to hurt. And suffer. You have to love and hate and believe and doubt. You have to fail and succeed.

And the only way to do that is to go out and live before you come in to write.

The value of our art

April 14, 2014 by Billy Coffey 3 Comments

image courtesy of google images. Spangled Blengins, Boy King Islands. One is a young Tuskorhorian, the other a human headed Dortherean by Henry Darger

Let me tell you about Henry Darger, the man who wrote one of the most detailed and bizarre books in history.

Never heard of him? Me neither. At least, not until I happened to stumble upon his story a few weeks ago. Seems strange that someone who did something so grand could be so unknown, doesn’t it? But it’s true. In fact, you could even say that’s why Henry was so extraordinary.

He was a janitor. Nothing so special about that, but nothing so wrong with it, either. There is no correlation between who a person is and what that person does for a living. Einstein was a patent clerk. Faulkner a mailman. Henry Darger mopped floors.

An unassuming man. A quiet man. He never married, never really had friends. Just a regular guy living a regular life, one of the faceless masses that occupy so much of the world who are here for a short while and then gone forever.

Henry left in 1973.

There are no accounts of his funeral. I don’t know if anyone attended at all, though I like to think they did. I like to think there was a crowd huddled around his casket that day to bid him farewell.

It is an unfortunate fact of life that so many people are discovered to have been truly extraordinary only after their passing. Such was the case with Henry. A few days after his passing, his landlord went through his apartment to ready it for rent. What he found was astonishing.

What he found hidden among Henry’s possessions was a manuscript. Its title may give you a clue as to the story’s scope and magnitude:

THE STORY OF THE VIVIAN GIRLS, IN WHAT IS KNOWN AS THE REALMS OF THE UNREAL, OF THE GLANDECO-ANGELINIAN WAR STORM, CAUSED BY THE CHILD SLAVE REBELLION

Did you get that? If not, I can’t blame you. I had to read the title three times to even understand a little of it, and that doesn’t count the time I actually wrote it out.

The breadth and scope of Henry’s book went well beyond epic. The manuscript itself contained 15,000 pages. Over nine million words. Over 300 watercolor pictures coinciding with the story. Some of the illustrations were so large they measured ten feet wide.

A lifetime’s worth of work. Years upon years of solitary effort, hundreds of thousands of hours spent writing and painting, creating an entire saga of another world.

And all for no apparent reason. Not only did Henry Darger never seek any sort of publication for his work, he never told a soul about it. His book was his dream and his secret alone.

I’ve thought about Henry Darger a lot since I first read about him. Which, as change or fate would have it, just to happened to be the very week my newest novel released. A tough thing, that. You’d think it wouldn’t be, perhaps, but it is. No matter who an author is or how successful he or she may be or how many books or under his or her belt, the most important thing to us all is that our words matter. Matter to others, matter to the world. We want what we say and think and feel to count for something.

But Henry Darger reminds me that none of those things mean anything. In the end, we cannot account for how the world will judge our work, and so, in the end, the world’s opinion really doesn’t matter. Simple as that.

What matters—what counts—is that our words stir not the world, but ourselves. That they conjure in our own hearts and minds a kind of magic that neither the years nor the work can dull. The kind of magic that sustains us in our lonely times and gives our own private worlds meaning. The kind of magic that tinges even the life of a simple janitor with greatness.

The Stonecutter

April 3, 2014 by Billy Coffey 3 Comments

Stone Cutter There are those in this world (and I am chief among them) who tend to devote a lot of their time to being more and better. Not a bad thing at all, unless of course you start thinking that who you are and what you’re doing now just isn’t good enough. Not true, I say. Not true at all…

I came across this a few days ago and loved it so much that I wanted to share it here. The words are mine, but the story is an ancient one from China:

There was once a stonecutter who lived in a tiny shack on the outskirts of his town. Every morning he would rise out of his simple bed and trudge off to work in the quarries. He hated his tiny job and his tiny shack, but he especially hated his tiny life.

One morning he passed by a wealthy merchant’s house. The gates of the courtyard were open, and through it the stonecutter could see the merchant’s fine possessions and important guests. “I wish I could be that wealthy merchant,” he said to himself. Then he would no longer have to suffer through life with a tiny job and shack and life.

Then, a miracle happened.

He woke the next morning to find that he had indeed become that wealthy merchant. He enjoyed more power and influence than he had ever dreamed and had more riches than he could ever spend. But then a government official passed by the house, carried in a grand chair by servants. Soldiers flanked each side blowing horns and commanding respect. Everyone, no matter how powerful and wealthy, had to bow to the official. “I wish I could become that official,” the man said. “No one could be more powerful than him.”

Another miracle.

He awoke the next morning to find that he was now the government official. He was carried through the city by servants, guarded by soldiers, and everyone was forced to bow to him. But as the day was hot, he noticed the sun was causing him to sweat. And more, he noticed that the sun didn’t care if he was a government official or not. “I wish I could be the sun,” he thought to himself. “Surely there is nothing more powerful than that.”

Then he became the sun, shining his power down upon the earth, giving life and taking it at his own whim. But as he was shining, he noticed a dark cloud pass between him and the land. No matter how hard he shone, the cloud prevented his light from reaching the ground. “I wish I were that cloud,” he said. “Then even the sun would have to obey me.”

And he became the cloud, rolling over the land to bring comfort from the heat and terror with his storms. He was both feared and revered, and no one stood against him. But then he discovered that the wind would blow him here and there without his consent. “No one tells me what to do,” he said. “I want to be the wind!”

So be became the wind, uprooting trees and spreading fires and damaging homes. Nothing, he thought, could stand against him. But then one day he blew against a mountain. A no matter how hard he worked, the mountain would not budge. “I want to be that mountain,” he said.

And he became the mountain. More stable than the merchant, more powerful than the official. Unfazed by the sun and the clouds and the wind. But as he rested there, content and finally at peace, he found that a small part of himself was slowly being chipped away. “What is causing this?” he asked. “I am a giant mountain. What could be more powerful than I?”

He looked down and saw far below a tiny speck hard at work. And with that sight he began to cry, for he knew then all his work and all his dreaming had been for naught.

For below him was the one thing in the world even more powerful than he:

A stonecutter.

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